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アイテム
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竹人形文楽「はなれ瞽女おりん」における「影」を使ったキャラクター表現の演出意義と効果について
https://shobi-u.repo.nii.ac.jp/records/789
https://shobi-u.repo.nii.ac.jp/records/78982a38573-bcdc-461c-9915-16646248c75b
名前 / ファイル | ライセンス | アクション |
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geijutsukiyou35_01OKAMURA (1.1 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2023-04-17 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 竹人形文楽「はなれ瞽女おりん」における「影」を使ったキャラクター表現の演出意義と効果について | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | The Significance and Effectiveness of Character Expression Direction Using "Shadow" in Bamboo Puppet Bunraku Performance "Hanaregoze Orin" | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | ⽵⼈形⽂楽 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | はなれ瞽⼥おりん | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | ⽔上勉 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 影 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 若州⼈形座 | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Bamboo Puppet Bunraku | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Hanaregoze Orin | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Tsutomu Mizukami | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Shadow | |||||
キーワード | ||||||
言語 | en | |||||
主題Scheme | Other | |||||
主題 | Jyakushu Puppet Theater | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12312312 | |||||
著者 |
岡村, 宏懇
× 岡村, 宏懇 |
|||||
著者所属(日) | ||||||
ja | ||||||
尚美学園大学芸術情報学部 | ||||||
著者所属(英) | ||||||
en | ||||||
Shobi University | ||||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
言語 | ja | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Articles | |||||
言語 | en | |||||
抄録(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | ⼩説家・⽔上勉の⽂業は多岐にわたるが、⼈形劇団を主宰し⽵⼈形⽂楽の上演活動を⾏ってきたことは意外に知られていない。本稿では、若州⼈形座の「はなれ瞽⼥おりん」上演史の中でも幸晃彦の演出作品(幸版)を取り上げ、⼈形と影を⽤いた舞台表現の特⾊を明らかにし、影を使ったキャラクター表現の意義と効果について検証する。最後に、幸版の「はなれ瞽⼥おりん」上演史上の位置付けと、「はなれ瞽⼥おりん」の劇世界の新たな⾒せ⽅に挑戦した看過できぬ作品として幸版の評価を⾏う。 | |||||
言語 | ja | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Novelist Tsutomu Mizukami's literary activities are diverse, but it is not surprising that he has been active in presiding over a puppet theater company and performing bamboo puppet bunraku. This paper focuses on Akihiko Saiwai's production (Saiwai version) in the history of the Jyakushu Puppet Theater's performance of "Hanaregoze Orin" to clarify the characteristics of stage expression using puppets and shadows, and to examine the significance and effectiveness of character expression using shadows. Finally, I will evaluate Saiwai's version as a work that cannot be overlooked because of its position in the history of "Hanaregoze Orin" and its challenge to present the world of "Hanaregoze Orin" in a new way. | |||||
言語 | en | |||||
書誌情報 |
ja : 尚美学園大学芸術情報研究 en : Journal of Informatics for Arts, Shobi University 巻 35, p. 1-19, 発行日 2022-12-18 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 尚美学園大学芸術情報学部・大学院芸術情報研究科 | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 1882-5370 |