{"created":"2023-05-15T08:20:39.193254+00:00","id":720,"links":{},"metadata":{"_buckets":{"deposit":"50af9b0e-ac55-4221-852b-e758321a3db6"},"_deposit":{"created_by":11,"id":"720","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"720"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000720","sets":["10:6:129"]},"author_link":["1417"],"control_number":"720","item_10002_biblio_info_35":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"50","bibliographicPageStart":"17","bibliographicVolumeNumber":"33","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of informatics for arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_10002_description_31":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"研究ノート","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_10002_description_32":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Research Notes","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_10002_description_33":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"ミュージック・コンクレートとは、録音された現実音を音楽の素材として使用し、電子的な手段を用いて加工、編集することによって制作される音楽である。1940 年代後半、ピエール・シェフェールによって創始された。アクースマティック音楽とは、この音楽を継承するかたちで、1970 年代前半、フランソワ・ベイルによって提唱された。スタジオ内で制作され、固定メディアに定着した後、映画のように「上映」される音楽、とされる。本稿では、シェフェールによって「オブジェ・ソノール」として捉えられた作品の素材としての音が、ベイルの作品においては「イマージュ・ドゥ・ソン」と捉えられている点に着目し、シュルレアリスムにおける「オブジェ」と「イマージュ」の概念との関係性について検証する。さらに、ベイルの初期作品における表現を「聴覚によるシュルレアリスム」として解釈し、聴覚芸術における架空の空間の創出という表現可能性について考察する。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_10002_description_34":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Musique Concrète is a type of music created with experimental techniques, composed of everyday sounds which are recorded, processed and edited by electronic means. It was founded in the late 1940s by Pierre Schaeffer. Acousmatic music was proposed in the early 1970s by François Bayle, who is a successor of the music. It is considered to be the music which is produced in a studio, fixed in a specific medium, and \"screened\" like a movie. In this article, I focus on the fact that sounds of the material of acousmatic music, which was considered as \" l’objet sonore\" by Schaeffer, is regarded as \" l’image de son \" in Bayle's work. Then I examine the relevance between the concepts of \"objet\" and \"image\" in Surréalisme. Finally, I consider the expressiveness of creating a fictional space in the auditory art, based on the interpretation of the expressions in Bayle's early works as \"auditory surréalisme\".","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_10002_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部・大学院芸術情報研究科","subitem_publisher_language":"ja"}]},"item_10002_relation_39":{"attribute_name":"論文ID（NAID）","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"40022463038","subitem_relation_type_select":"NAID"}}]},"item_10002_source_id_25":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA12312312","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_38":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1882-5370","subitem_source_identifier_type":"PISSN"}]},"item_10002_text_28":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学芸術情報学部"}]},"item_10002_text_29":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"宮木, 朝子","creatorNameLang":"ja"},{"creatorName":"ミヤキ, アサコ","creatorNameLang":"ja-Kana"},{"creatorName":"MIYAKI, Asako","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2021-01-01"}],"displaytype":"detail","filename":"geijutsukiyou33_02miyaki.pdf","filesize":[{"value":"766.1 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"geijutsukiyou33_02miyaki","url":"https://shobi-u.repo.nii.ac.jp/record/720/files/geijutsukiyou33_02miyaki.pdf"},"version_id":"b1d6ff84-c915-4a7f-87b9-5eea25de1424"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"電子音響音楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ミュージック・コンクレート","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"アクースマティック音楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"シュルレアリスム","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Electro acoustic","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"musique concrète","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"acousmatic music","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"surréalisme","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"聴覚芸術における超現実空間の表現 : フランソワ・ベイルのアクースマティック音楽「すめない空間」を例に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"聴覚芸術における超現実空間の表現 : フランソワ・ベイルのアクースマティック音楽「すめない空間」を例に","subitem_title_language":"ja"},{"subitem_title":"Representation of Surreal Space in Auditory Art : An Analysis on Francois Bayle's Acousmatic Music \"Espaces inhabitables\"","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"11","path":["129"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2021-02-22"},"publish_date":"2021-02-22","publish_status":"0","recid":"720","relation_version_is_last":true,"title":["聴覚芸術における超現実空間の表現 : フランソワ・ベイルのアクースマティック音楽「すめない空間」を例に"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2024-02-20T01:34:08.737388+00:00"}