{"created":"2023-05-15T08:20:34.717415+00:00","id":616,"links":{},"metadata":{"_buckets":{"deposit":"4e6b70b8-bad7-4e51-b768-3f1eb73d9c4b"},"_deposit":{"created_by":11,"id":"616","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"616"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000616","sets":["10:6:107"]},"author_link":["1202"],"control_number":"616","item_10002_biblio_info_35":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-10-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"27","bibliographicPageStart":"13","bibliographicVolumeNumber":"27","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of Informatics for Arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_10002_description_31":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_10002_description_32":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_10002_description_33":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"フレデリック・フランソワ・ショパン（Frédéric François Chopin, 1810-1849）のピアノ演奏において、自然で美しい音楽に仕上げるためには、アゴーギク（独：Agogik）のコントロールが必要だと考えられる。これは、はじめから記譜された強弱記号や発想記号などとは異なり、実際に音に出して演奏されるプロセスの中で、楽曲の分析と解釈から作曲家が求めたであろう響きを想像し、演奏者自身によって生み出される拍や音価の伸縮及び速度の微細な変化などに関わる演奏操作である。本研究では、ショパンの持つ様々な音楽的要素が内包された最も大規模な作品集といえる《24 の前奏曲 作品28》を例として、楽譜から読み取れる演奏解釈とその奏法についての実践的検証を行なった結果、ショパンが拘って書いた細やかな記譜法や特徴的な和声などが見られ、それらを音として具現化する際に必要なアゴーギクについて、その発生要因と効果的な演奏法を導き出すことができた。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_10002_description_34":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"In Chopin's (1810-1849) piano performances, the agogic is considered indispensable. This is because unlike the dynamic and expressive notations used in all scores, in the process of actually playing the agogic approach imagines the sound the composer sought through music analysis and interpretation, and produces a performance related to the minute changes of speed, in the relative lengths of the notes, and the sound value produced by the performer himself. In this research, by conducting a practical examination of performance interpretation that can be read from the score and rendition style of 24 Preludes Op. 28, it was found that Chopin wrote the fine notation and characteristic harmony using the agogic rendition style necessary for realizing them as sounds; from which was derived the cause of the occurrence and an effective performance method.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_10002_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部・大学院芸術情報研究科","subitem_publisher_language":"ja"}]},"item_10002_source_id_25":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA12312312","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_38":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18825370","subitem_source_identifier_type":"PISSN"}]},"item_10002_text_28":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学芸術情報学部音楽表現学科"}]},"item_10002_text_29":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"前田, 拓郎","creatorNameLang":"ja"},{"creatorName":"マエダ, タクロウ","creatorNameLang":"ja-Kana"},{"creatorName":"MAEDA, Takuro","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-01-16"}],"displaytype":"detail","filename":"02芸術情報研究27号-前田先生.pdf","filesize":[{"value":"4.3 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"geijutsukiyou2702","url":"https://shobi-u.repo.nii.ac.jp/record/616/files/02芸術情報研究27号-前田先生.pdf"},"version_id":"6c2094cb-5ae5-4cad-91d0-8f90cf26e692"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ショパン","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"アゴーギク","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ピアノ奏法","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"24 の前奏曲","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"F.Chopin","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Agogik(agogic)","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Piano method","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"24 Preludes","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"F.ショパンのピアノ演奏におけるアゴーギクの効果 : 24の前奏曲 作品28を例として","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"F.ショパンのピアノ演奏におけるアゴーギクの効果 : 24の前奏曲 作品28を例として","subitem_title_language":"ja"},{"subitem_title":"The effect of the agogic on F. Chopin's piano performance : example of Chopin’s 24 Preludes Op. 28","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"11","path":["107"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2018-01-16"},"publish_date":"2018-01-16","publish_status":"0","recid":"616","relation_version_is_last":true,"title":["F.ショパンのピアノ演奏におけるアゴーギクの効果 : 24の前奏曲 作品28を例として"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2024-02-28T03:08:49.572069+00:00"}