{"created":"2023-05-15T08:20:33.268374+00:00","id":581,"links":{},"metadata":{"_buckets":{"deposit":"9b9db604-9c13-4b5e-a51c-36a8af0329ce"},"_deposit":{"created_by":11,"id":"581","owners":[11],"pid":{"revision_id":0,"type":"depid","value":"581"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000581","sets":["10:2:102"]},"author_link":["1154"],"control_number":"581","item_10002_biblio_info_35":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"40","bibliographicPageStart":"15","bibliographicVolumeNumber":"29","bibliographic_titles":[{"bibliographic_title":"尚美学園大学総合政策研究紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of policy and management, Shobi University","bibliographic_titleLang":"en"}]}]},"item_10002_description_31":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_10002_description_32":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_10002_description_33":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"本稿は、2015年12月8 日（水）に東京・国立能楽堂で初演された『能・ロミオとジュリエット』（原作：シェイクスピア・翻案：宗片邦義）の公演を取りあげ、シェイクスピア劇と日本の古典芸能である能楽が、いかに「ハイブリッド」な演劇として上演されたかを、比較演劇学の視座から考察したものである。\n原作の悲劇と能の様式に翻案された古典芸能を比較し、（1）劇的効果を生むドラマトゥルギー（2 ）舞台構成（3 ）演出法の3 点に焦点を当てて分析し、その相違点と類似点を指摘する。\nシェイクスピアは、恋愛悲劇のひとつとして『ロミオとジュリエット』を書き、愛と憎しみの対立する状況の中で、「赦し」をテーマにし、二人の＜死＞によって＜愛の永遠性＞を描いたが、『能・ロミオとジュリエット』では、シェイクスピア劇に能の様式が融合され、ロミオとジュリエットの霊が白装束であらわれ、二人は舞ながら昇天してゆく場面で終わる。\n本稿の目的は、このような『能・ロミオとジュリエット』のインターカルチュアル（intercultural）な特色を検証し、「融合文化」の事例研究として『能・ロミオとジュリエット』の上演意義を明らかにすることにある。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_10002_description_34":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"This paper is the study on the comparative theatres of Shakespeare’s Romeo and Juliet and the Noh plays in classical performing arts.\nI would like to take up the case of Prof. Kuniyoshi Munakata’s Noh adaptation of Romeo\nand Juliet.\nShakespeare wrote Romeo and Juliet toward the end of 16th century. This is an early play, which is one of love tragedies. Shakespeare wanted to show his audience all love’s power and beauty. The love of Romeo and Juliet is controlled by hate of two families. But love controls every things more than hate. That is to say, it is true that Romeo and Juliet\ndid die for love, but at that time they continued to live by love forever and ever.\nMunakata considers Romeo as a young man who dislikes fighting, and Shakespeare’s themes seem to have been “forgiveness.”\nIn Romeo and Juliet Shakespeare let the Prince of Verona say “pardon” at the very end of the play (V. iii. 307). So, I presume the key word of Noh Romeo and Juliet is “forgiveness.”\nNoh is a poetic play. It is a dance play, using chorus, in which the climax often comes during the performance of dance. Noh is also a mask play. Masks are worn by actors representing supernatural beings.\nIn Noh Romeo and Juliet masks are worn by actors representing ghosts. The climax\ncomes during the performance of dance.\nI conclude that Noh Romeo and Juliet typifies harmony & combination of cultures of Shakespeare’s plays and Noh plays.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_10002_publisher_36":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学総合政策学部","subitem_publisher_language":"ja"}]},"item_10002_source_id_25":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11546318","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_38":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13463802","subitem_source_identifier_type":"PISSN"}]},"item_10002_text_28":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学総合政策学部非常勤"}]},"item_10002_text_29":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"平, 辰彦","creatorNameLang":"ja"},{"creatorName":"タイラ, タツヒコ","creatorNameLang":"ja-Kana"},{"creatorName":"TAIRA, Tatsuhiko","creatorNameLang":"en"}],"nameIdentifiers":[{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-05-31"}],"displaytype":"detail","filename":"02T.Taira.pdf","filesize":[{"value":"801.9 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"sougoukiyou2902","url":"https://shobi-u.repo.nii.ac.jp/record/581/files/02T.Taira.pdf"},"version_id":"838525b4-2839-475a-bb08-9e4e4062db0a"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"能楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"翻案","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"赦し","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ハイブリッド","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"融合文化","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Noh plays","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"adaptation","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"forgiveness","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"hybrid","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Harmony & Combination of Cultures","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"シェイクスピア劇と 古典芸能の比較演劇研究 : 「能・ロミオとジュリエット」に焦点を当てて","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"シェイクスピア劇と 古典芸能の比較演劇研究 : 「能・ロミオとジュリエット」に焦点を当てて","subitem_title_language":"ja"},{"subitem_title":"A Study on the Comparative Theatres of Shakespeare’s Plays and the Classical Performing Arts: Focusing on the Noh Romeo and Juliet","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"11","path":["102"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-30"},"publish_date":"2017-04-30","publish_status":"0","recid":"581","relation_version_is_last":true,"title":["シェイクスピア劇と 古典芸能の比較演劇研究 : 「能・ロミオとジュリエット」に焦点を当てて"],"weko_creator_id":"11","weko_shared_id":-1},"updated":"2023-11-24T02:12:46.814566+00:00"}