{"created":"2023-05-15T08:20:27.941865+00:00","id":460,"links":{},"metadata":{"_buckets":{"deposit":"e99b0a12-b43d-47b1-881b-90569e022d54"},"_deposit":{"created_by":3,"id":"460","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"460"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000460","sets":["10:6:85"]},"author_link":["894"],"control_number":"460","item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2016-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"62","bibliographicPageStart":"41","bibliographicVolumeNumber":"25","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報研究","bibliographic_titleLang":"ja"},{"bibliographic_title":"Journal of Informatics for Arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"ジェルジ・リゲティ (1923-2006) は、 20世紀後半を代表するハンガリーの作曲家である。 彼の音楽は 「音響の変化のプロセス」 を音楽の時間構造と結びつけたという点で非常に独創的であり、 1960年代には「ミクロポリフォニー」という語法を確立した。 その後一貫して音響空間や時間構造への試みを行うが、 1980年代以降になると和声的な書法や旋法を用いた書法など過去の時代の音楽にみられた書法に回帰する。 また、 同時にミニマリズムの影響からポリリズムやポリテンポなどの多層的かつ複雑なリズム書法を用いるようになる。 本論文では、 リゲティの作風の変遷を考察することによってリゲティの音楽的関心やそれに伴う作曲語法の変遷を明らかにし、晩年に書かれた作品である 「ヴァイオリン協奏曲」の分析を通して和声的な書法や過去の書法が彼の音楽においてどのような効果を持っているのかを考察する。 また、このような考察は、過去の音楽書法と現代作品の書法の関連性について検証することにもなるといえる。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Gy=rgyLigeti (1923-2006) was a Hungarian composer who was a one of the most influential composers in the latter part of the 20th century. His music was extremely creative because he connected\"processof variation in sound phases\"with temporal process in music. He established his musical style called\"micro-polyphony\"in 1960s.In 1980s and beyond, he composed using past musical style,such as harmonic style by\"poly-tonal\"and church modes. And he came to compose using complicatedand multi-layeredstructure of rhythm,suchas\"poly-rhythm\"and\"poly-tempo\" . This paper describes musical effects of harmonic style and past music styles in Ligeti's music by analyzing his work\"Concerto for Violin and Orchestra\" .","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"4","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00010210879","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Articles","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_publisher_22":{"attribute_name":"出版社","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部・大学院芸術情報研究科","subitem_publisher_language":"ja"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA12312312","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18825370","subitem_source_identifier_type":"PISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学大学院 音楽表現専攻 修士課程在学"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"プロセス トシテノ ワセイ : ジェルジ・リゲティ ヴァイオリン キョウソウキョク オ メグッテ"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"川浦, 義広","creatorNameLang":"ja"},{"creatorName":"カワウラ, ヨシヒロ","creatorNameLang":"ja-Kana"},{"creatorName":"KAWAURA, Yoshihiro","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-21"}],"displaytype":"detail","filename":"KJ00010210879.pdf","filesize":[{"value":"1.8 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"KJ00010210879.pdf","url":"https://shobi-u.repo.nii.ac.jp/record/460/files/KJ00010210879.pdf"},"version_id":"6bd98bf1-e0c2-4ea6-99b2-f0db39ef6e0e"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ジェルジ・リゲティ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"自然倍音列","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"教会旋法","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ポリトナール","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"和声","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Gyorgy Ligeti","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"natural harmonic series","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"church mode","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"poly-tonal","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"harmony","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"プロセスとしての「和声」 : ジェルジ・リゲティ「ヴァイオリン協奏曲」をめぐって","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"プロセスとしての「和声」 : ジェルジ・リゲティ「ヴァイオリン協奏曲」をめぐって","subitem_title_language":"ja"},{"subitem_title":"Harmony as Musical Process : An Analysis of \"Concerto for Violin and Orchestra\" by Gyorgy Ligeti","subitem_title_language":"en"}]},"item_type_id":"3","owner":"3","path":["85"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-21"},"publish_date":"2017-04-21","publish_status":"0","recid":"460","relation_version_is_last":true,"title":["プロセスとしての「和声」 : ジェルジ・リゲティ「ヴァイオリン協奏曲」をめぐって"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2024-02-29T04:30:13.196544+00:00"}