{"created":"2023-05-15T08:20:26.510476+00:00","id":428,"links":{},"metadata":{"_buckets":{"deposit":"c8d1ae23-b674-4cdb-98f2-7f9587daa850"},"_deposit":{"created_by":3,"id":"428","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"428"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000428","sets":["10:6:78"]},"author_link":["824"],"control_number":"428","item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2010-11-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"63","bibliographicPageStart":"37","bibliographicVolumeNumber":"18","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報研究"},{"bibliographic_title":"Journal of Informatics for Arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"日本美術の美しさはシンプリシティーに求めることができる。まず初めに、その理由を材質と形式の点から考え、次にシンフ゜リシティーの内容について、直観的、心象的、装飾的、詩歌的、諧謔的の五つに分けて論じたわけである。日本絵画の特質は、一言でいってシンプリシティーである。そのもとになった中国絵画と比較することによって、はっきりと理解することができる。しかし、このような日本美術のシンプリシティーは、同時に圧倒的迫力やモニュメンタリティーに弱いという欠点を生むこともないではなかった。明治時代の小説家二葉亭四迷が、日本人の大和魂というものは純粋であるけれども、徹底性を嫌うという欠点をも生んだと指摘していることは、きわめて興味深く感じられる。ところで、実をいうと、シンプリシティーは美術だけの特質ではなく、衣食住をはじめ技術・学問・文学・芸能・音楽・宗教など、日本文化全般にわたる特徴でもあるといってよいであろう。これらの場合も、単に簡潔純粋というだけではなく、複雑なものをそのように見せる意識が働いていたことを見逃してはならない。それでは、なぜ日本文化全体がシンプリシティーによって特徴づけられるのか、今後はこの問題を考えてみたいと思っている。その際ヒントになりそうなのは、近代の文豪島崎藤村が、日本に和歌や俳句の如く、ごく単純な詩形が発達してきた理由は、われらの心に経験することがあまりに複雑であるからではないかと指摘している点かもしれない。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"One can find the source of the beauty of Japanese art in its simplicity. I have attempted to thinkthrough the reasons for this first in terms of materials and format, and next in terms of the content of thesimplicity, dividing it into five categories, those of intuitive, internal, decorative, poetic, and humorous.In one word, the special characteristic of Japanese painting is simplicity. If compared with the Chinesepainting from which it originated, this can be seen quite clearly. However, this type of simplicity inJapanese art had the disadvantage of making the overpowering monumentality of the tradition weak.The Meiji novelist Futabatei Shimei stated that the \"Yamato spirit\" was pure, but was flawed in that ithated thoroughness, a characteristic of art, but also of clothing technique, academia, literature, the performingarts, music, religion, and so forth, a characteristic that defines Japanese culture as a whole. Onecannot overlook the fact that in these cases, it is not just concision and purity, but the desire to makecomplex things appear simple. In the future I would like to consider the problem of why Japanese cultureas a whole can be characterized by simplicity. When doing so, a hint is provided by the distinguishedmodern writer Shimazaki Toson, who speculated that the reason why a very simple poetic formdeveloped in Japan was that in the hearts and minds fo the Japanese, the lived and felt experiences arein fact quite complex.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"3","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00007043839","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Articles","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_publisher_22":{"attribute_name":"出版社","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部、大学院芸術情報研究科","subitem_publisher_language":"ja"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA12312312","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18825370","subitem_source_identifier_type":"PISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学芸術情報学部"}]},"item_3_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"ニホン ビジュツ ノ スジョウ"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"河野, 元昭","creatorNameLang":"ja"},{"creatorName":"コウノ, モトアキ","creatorNameLang":"ja-Kana"},{"creatorName":"KONO, Motoaki","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-21"}],"displaytype":"detail","filename":"KJ00007043839.pdf","filesize":[{"value":"465.5 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"KJ00007043839.pdf","url":"https://shobi-u.repo.nii.ac.jp/record/428/files/KJ00007043839.pdf"},"version_id":"09ff66b3-7c2d-4c74-874b-02a32e825d78"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"日本美術","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"シンプリシティー","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"簡潔性","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"材質","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"カテゴリー","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"中国美術","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Japanese art","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Simplicity","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Materials","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Five categories","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Chinese art","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"日本美術の素性","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"日本美術の素性","subitem_title_language":"ja"},{"subitem_title":"The characteristics of Japanese art","subitem_title_language":"en"}]},"item_type_id":"3","owner":"3","path":["78"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-21"},"publish_date":"2017-04-21","publish_status":"0","recid":"428","relation_version_is_last":true,"title":["日本美術の素性"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2024-03-07T05:46:57.709567+00:00"}