@article{oai:shobi-u.repo.nii.ac.jp:00000427,
 author = {茂出木, 敏雄 and MODEGI, Toshio},
 journal = {尚美学園大学芸術情報研究, Journal of Informatics for Arts, Shobi University},
 month = {Nov},
 note = {ヒト聴覚には蝸牛という螺旋形をした音階理論的に周波数分析を行っている器官がある。ヒトの会話をはじめ、同じ聴覚器官を用いて音階理論的な認識を行っている以上、任意の音を五線譜で表現することは不可能ではない。そこで筆者らは、ヒトの音声を含む、あらゆる音を五線譜に載せることを可能にする、一般音響信号のMIDI 符号化ツールの開発に着手した。, We human beings have auditory organs called as a cochlear, which make frequency analysis on themusical scale. As we recognize any kinds of acoustic signals including human speech sounds with thesame auditory organs, it seems not impossible to transcript them in a staff notation. Therefore, we havebegun developing a MIDI encoding tool for general acoustic signals, which can transcript any kinds ofgiven acoustic signals including human speech sounds in a staff notation.After that, we have tried to develop a lossless compression technique for audio signals; an automaticendless background music composition technique by synthesizing selected rhythm, chord and melodyphrase parts; an audio fingerprint technique for identifying music works; and an inaudible sign informationembedding technique for music works.In this paper, we will review these development examples of music informatics techniques done byus for past 15 years, and discuss future research topics., 2, KJ00007043799, 論文, Articles},
 pages = {15--35},
 title = {聴覚芸術への情報学的アプローチと音楽情報処理ツールの開発事例},
 volume = {18},
 year = {2010},
 yomi = {モデギ, トシオ}
}