@article{oai:shobi-u.repo.nii.ac.jp:00000269,
 author = {小池, 保 and KOIKE, Tamotsu},
 journal = {尚美学園大学芸術情報学部紀要, Bulletin of the Faculty of Informatics for Arts, Shobi University},
 month = {Nov},
 note = {かつての売り声は、なぜ日本人の心の原風景に流れるBGMとなり得たのかー
心に響く表現が、どのように工夫されていたのか、音声分析を用いながら考察を重ねるうち、売り声が「市井の詩」となり得たいくつかの条件をはじめ、高いコミュニケーション力を備えていることが明らかになってゆく。やがて、拡声器で売り声を聞かせる時代が到来する。なぜ拡声器が用いられたのか、日本人の住まい方の構造変化にまつわる問題点が見えてくる。その点に注目しながら探るうちに、戦後に起こったコミュニケーション上のパラダイム・シフトとの関係が浮かび上がる。日本人に親しまれた売り声の文化は、事実上、消えてしまった。しかし、それは生活の片隅でさえずっていた小鳥がいなくなったというレベルの、ささいな出来事ではなかった。忍び寄る気体の毒性をいち早く知らせる、カナリアの死であったのかもしれない。, Why does the former hawker's cry become BGM which let a Japanese feel nostalgia? About a hawker's cry, We repeat consideration while analyzing a sound. Then it becomes clear that the essence of a hawker's cry has high communication as well as the condition that was able to become "poetry". In around 1965, the times to let us hear a hawker's cry by a loudspeaker came over. We were able to consider the problems related to a change of the basic structure of Japanese house to push forward a thought why a loudspeaker was used. The culture of a hawker's cry has disappeared virtually. However, it was not a trifling event of the level that the small bird which was singing even in a corner of life disappeared. Possibly it may have been death of a canary to give a warning to us about the toxicity of gas to steal up quickly., 4, KJ00004920333, 論文, Article},
 pages = {47--67},
 title = {売り声文化その社会的考察},
 volume = {10},
 year = {2006},
 yomi = {コイケ, タモツ}
}