{"created":"2023-05-15T08:20:19.197122+00:00","id":264,"links":{},"metadata":{"_buckets":{"deposit":"d87aa54e-c1f1-452a-a609-c29820954077"},"_deposit":{"created_by":3,"id":"264","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"264"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000264","sets":["10:1:45"]},"author_link":["458"],"control_number":"264","item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2006-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"90","bibliographicPageStart":"45","bibliographicVolumeNumber":"9","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報学部紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the Faculty of Informatics for Arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"ギリシャ以来の大問題である音楽現象は、名曲・名演奏の仕組みを解明するという究極の大問題へ向かって、今日の音楽心理学、音響心理学等に引き継がれて取り組まれてきた。特に音楽心理学では1956年のL.B.Meyerの歴史的論文Emotion and Meaning in Musicに端を発してアメリカを中心に著しい研究成果を挙げてきた。が、それでも究極の大問題にはたどり着いていない。名曲の仕組みと音楽現象の解明とを結びつけることが論文の目的である。全体は考察と楽曲分析から成り立つが、理論編前半を「その1」、分析編を「その2」として、既に発表している。この「その3」は、未完成だった理論編の後半部分に位置し、認知と情動から音楽を考察する。それは生成音楽論への挑戦でもある。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Musical phenomenon has been studied since the ancient times of Greece. Nowadays, music psychology and acoustic psychology are tackling the great issue. Their efforts aim to elucidate the mechanism of excellent pieces and performances of music. Especially, starting by L .B. Meyer's monumental essay, music psychologists in the United States have attained notable results. However, those results have not excellent pieces in connection to the elucidation of musical phenomenon. The results of my research are made public in part. The former of my considerations of musical theories is published as Essay #1, and my analyses in musical pieces are detailed in Essay #2. This treatise titled Essay #3 is regarded as the latter of my considerations of musical theories. It discusses music from the viewpoints of recognition and emotion. My approach leads to generative musicology.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"5","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00004920315","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_publisher_22":{"attribute_name":"出版社","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部","subitem_publisher_language":"ja"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11624171","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13471023","subitem_source_identifier_type":"PISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学芸術情報学部音楽表現学科"}]},"item_3_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"オンガク ゲンショウ カラ コウサツ スル メイキョク ノ シクミ ソノ 3","subitem_title_language":"ja-Kana"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"大村, 哲弥","creatorNameLang":"ja"},{"creatorName":"オオムラ, テツヤ","creatorNameLang":"ja-Kana"},{"creatorName":"OMURA, Tetsuya","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-21"}],"displaytype":"detail","filename":"KJ00004920315.pdf","filesize":[{"value":"834.8 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"KJ00004920315.pdf","url":"https://shobi-u.repo.nii.ac.jp/record/264/files/KJ00004920315.pdf"},"version_id":"57c7dfce-8335-4046-ba71-9fa860af200c"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"音色","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"倍音","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽認知","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"情動","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"認知脳科学","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"timbre","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"harmonic overtone","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"music acknowledgment","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"emotion","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"cognitive neuroscience","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"音楽現象から考察する名曲の仕組み(その3)","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"音楽現象から考察する名曲の仕組み(その3)","subitem_title_language":"ja"},{"subitem_title":"Consider the mechanism of excellent pieces in connection to the elucidation of musical phenomenon (3)","subitem_title_language":"en"}]},"item_type_id":"3","owner":"3","path":["45"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-21"},"publish_date":"2017-04-21","publish_status":"0","recid":"264","relation_version_is_last":true,"title":["音楽現象から考察する名曲の仕組み(その3)"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-09-21T02:43:34.051014+00:00"}