{"created":"2023-05-15T08:20:18.944364+00:00","id":258,"links":{},"metadata":{"_buckets":{"deposit":"6e257f67-5376-41f7-8599-f6e6df0bfeb0"},"_deposit":{"created_by":3,"id":"258","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"258"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000258","sets":["10:1:44"]},"author_link":["446"],"control_number":"258","item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2005-12-25","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"114","bibliographicPageStart":"101","bibliographicVolumeNumber":"8","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報学部紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the Faculty of Informatics for Arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"本稿は、アーノルド・シェーリングが1935年度版『ペータース音楽図書年鑑』に寄せた論文「音楽象徴学」の解題である。これは、バッハ、ベートーヴェン等の作品解釈のかたちで彼が展開していた音楽象徴論のエッセンスというべきものであり、今後その全貌を明らかにしていくにあたっての核となる論文といえる。シェーリングの提唱する音楽象徴学は、「音楽の意味内容、すなわち音の背後にあって、精神的な核心、創作上の動機として存在するもの」を扱う。その根底にあるのは、およそ「音楽」の名に値するものはすべて「何かあるものの象徴(Sinnbild)、つまり何らかの意味(Sinn)の姿(Bild)」であるという、彼の信念にほかならない。シェーリングはこの論文で、様式学および美学に対する批判を基盤として音楽的象徴の特質を説きつつ、その分類を試みている。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"This paper is an explanation of Arnold Schering's thesis \"Musikalische Symbolkunde\" which was printed in the \"Jahrbuch der Musikbibliothek Peters 1935.\" The thesis is the essence of his \"Musik Symbology\" that he had developed by interpretations of Bach and Beethoven's works, and it's the core for our plan to reveal that total picture. Schering's \"Musik Symbology\" deals with \"senses of music that are spiritual cores and motives for creation behind tones.\" The heart of his theory is nothing but a conviction that \"music is picture of some sense (=symbol). In the thesis Schering argues about the characteristics of musical symbol and tris that classification.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"7","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00004919564","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_publisher_22":{"attribute_name":"出版社","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部","subitem_publisher_language":"ja"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11624171","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13471023","subitem_source_identifier_type":"PISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学芸術情報学部音楽表現学科"}]},"item_3_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"アーノルド シェーリング ノ オンガク ショウチョウロン 1 ロンブン オンガク ショウチョウガク ノ カイダイ","subitem_title_language":"ja-Kana"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"鳴海, 史生","creatorNameLang":"ja"},{"creatorName":"ナルミ, フミオ","creatorNameLang":"ja-Kana"},{"creatorName":"NARUMI, Fumio","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-21"}],"displaytype":"detail","filename":"KJ00004919564.pdf","filesize":[{"value":"321.2 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"KJ00004919564.pdf","url":"https://shobi-u.repo.nii.ac.jp/record/258/files/KJ00004919564.pdf"},"version_id":"8a2a0e3f-1243-4ceb-8a88-757c95348421"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"A.シェーリング","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽象徴論","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"A. Schering","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Music Symbology","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"アーノルド・シェーリングの音楽象徴論 : (1)論文「音楽象徴学」の解題","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"アーノルド・シェーリングの音楽象徴論 : (1)論文「音楽象徴学」の解題","subitem_title_language":"ja"},{"subitem_title":"Music Symbology of Aarnold Schering : (I) An Explanation of his thesis \"Musikalische Symbolkunde\"","subitem_title_language":"en"}]},"item_type_id":"3","owner":"3","path":["44"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-21"},"publish_date":"2017-04-21","publish_status":"0","recid":"258","relation_version_is_last":true,"title":["アーノルド・シェーリングの音楽象徴論 : (1)論文「音楽象徴学」の解題"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-10-03T08:59:29.353404+00:00"}