{"created":"2023-05-15T08:20:18.651417+00:00","id":251,"links":{},"metadata":{"_buckets":{"deposit":"4b9547e4-d8a6-416c-8572-7c3ab9b20dbc"},"_deposit":{"created_by":3,"id":"251","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"251"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000251","sets":["10:1:43"]},"author_link":["430"],"control_number":"251","item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2005-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"73","bibliographicPageStart":"41","bibliographicVolumeNumber":"7","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報学部紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the Faculty of Informatics for Arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"ギリシャ以来の大問題である音楽現象は、名曲・名演奏の仕組みを解明するという究極の大問題へ向かって、今日の音楽心理学、音響心理学等に引き継がれて取り組まれてきた。特に音楽心理学では1956年のL.B.Meyerの歴史的論文Emotion and Meaning in Musicに端を発してアメリカを中心に著しい研究成果を挙げてきた。が、それでも究極の大問題にはたどり着いていない。私は音楽を、ベルグソン哲学に根拠をおく「凝縮された進化体験」と位置づけている。\"今\"は過去(記憶)と相互浸透されることで意味を生じ、鳴らされている今の音(現在)も、聴いた音(過去)との関係で音楽性を獲得できるといえる。こうした考えは、古典の名曲とりわけバッハ作品の分析から導き出されたものである。名曲の仕組みと音楽現象の解明とを結びつけることが論文の目的である。全体は考察と楽曲分析から成り立つが、当論文はその中のバッハ、モーツァルト、ベートーヴェン、シューベルト楽曲の作品分析を主体とする後半部分で、前半の理論編は省かれている。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Musical phenomenon has been studied since the ancient times of Greece. Nowadays, music psychology and acoustic psychology are tackling the great issue. Their efforts aim to elucidate the mechanism of excellent pieces and performances of music. Especially, starting by L .B. Meyer's monumental essay, music psychologists in the United States have attained notable results. However, those results have not yet found their ways to final elucidation of that great issue. I define music as \"condensed experience of evolution\" on the philosophy of Henri Bergson. \"Present\" makes sense in interrelation with memory (that is, \"past\"), and ringing sounds (that is, \"present\") also acquires musicality in relation to the sounds heard in the \"past.\" My definition is derived from analyses in excellent pieces of classical music, the pieces by Bach in particular. This essay is a part of an attempt to consider the mechanism of excellent pieces in connection to the elucidation of musical phenomenon. The whole attempt consists of two parts: considerations and analyses. This essay is the latter part which tereats analyses of the pieces by Bach, Mozart, Beethoven, and Schubert. The former part focusing on their theories are not included in this essay.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"4","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00004919557","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_publisher_22":{"attribute_name":"出版社","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部","subitem_publisher_language":"ja"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11624171","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13471023","subitem_source_identifier_type":"PISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学芸術情報学部音楽表現学科"}]},"item_3_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"オンガク ゲンショウ カラ コウサツ スル メイキョク ノ シクミ ソノ2","subitem_title_language":"ja-Kana"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"大村, 哲弥","creatorNameLang":"ja"},{"creatorName":"オオムラ, テツヤ","creatorNameLang":"ja-Kana"},{"creatorName":"OMURA, Tetsuya","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-21"}],"displaytype":"detail","filename":"KJ00004919557.pdf","filesize":[{"value":"4.6 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"KJ00004919557.pdf","url":"https://shobi-u.repo.nii.ac.jp/record/251/files/KJ00004919557.pdf"},"version_id":"ba044aee-eb42-4e77-b46a-1affa3f556ef"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"音高線","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"音の流れの分離と融合","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽現象","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"聴覚現象","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"知覚と認知","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"melody line","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"auditory stream segregation und unification","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"musical phenomenon","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"aural phenomenon","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"perception and recognition","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"音楽現象から考察する名曲の仕組み(その2)","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"音楽現象から考察する名曲の仕組み(その2)","subitem_title_language":"ja"},{"subitem_title":"Consider the mechanism of excellent pieces in connection to the elucidation of musical phenomenon (2)","subitem_title_language":"en"}]},"item_type_id":"3","owner":"3","path":["43"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-21"},"publish_date":"2017-04-21","publish_status":"0","recid":"251","relation_version_is_last":true,"title":["音楽現象から考察する名曲の仕組み(その2)"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-10-03T08:59:45.812974+00:00"}