{"created":"2023-05-15T08:20:17.894843+00:00","id":234,"links":{},"metadata":{"_buckets":{"deposit":"63e3b255-1f11-4a13-8b7c-7c831905e49d"},"_deposit":{"created_by":3,"id":"234","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"234"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000234","sets":["10:1:41"]},"author_link":["392"],"control_number":"234","item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2004-12-24","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"14","bibliographicPageStart":"1","bibliographicVolumeNumber":"5","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報学部紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the Faculty of Informatics for Arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"2001年からデジタルハイビジョン放送が開始された。デジタルハイビジョンは縦横比(16 : 9)の安定したフレーム、高画質、高音質、マルチ画面、双方向、データ放送など多機能なメディアである。この方式は現行のテレビでの視聴覚体験や映像表現の技法を根本から変えはじめている。大画面の迫力ある映像、CD並みの優れた音質は臨場感にあふれている。技術的には画質、音質とも劣化がなく、CGとの合成もしやすく、映画などでも幅広く活用されている。私はNHKにおいて、デジタルハイビジョン・大河ドラマ「北条時宗」のTD(技術責任者)を担当した。この経験をふまえ、作品制作の意義およびハイビジョン制作での課題を考察する。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Digital hi-vision broadcasting (digital high-definition broadcasting) was inaugurated here in Japan in 2001. The digital hi-vision broadcasting is a superb medium with multilateral functions, such as the stable frame of horizontal and vertical ratio (16:9), high definition, high quality of sound, multilateral frame, interactive TV broadcasting, data broadcasting, among others. This system has begun to change from the ground up the attitude and participation of the audience and the techniques of the image presentation of the conventional TV broadcasting. No doubt the huge, impressive image and high quality of sound equivalent to that of CDs give us a sense of presence. Technically, no deterioration is evident both in images and sound, and this system is widely employed in movies because of CG composite. I was in charge of TD (technical director) of NHK, when the digital hi-vision drama-roman \"Hojo Tokimune\" was produced. Based on my experiences, I consider the vital significance of producing the program and the problems involved in the hi-vision production.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"1","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00004916663","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_publisher_22":{"attribute_name":"出版社","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部","subitem_publisher_language":"ja"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11624171","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13471023","subitem_source_identifier_type":"PISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学芸術情報学部情報表現学科"}]},"item_3_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"ハイビジョン ドラマ セイサク ノ コウサツ : タイガ ドラマ ホウジョウ トキムネ デノ ジレイ ケンキュウ ジョウホウ ヒョウゲン ガッカ トクシュウゴウ","subitem_title_language":"ja-Kana"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"上原, 康雄","creatorNameLang":"ja"},{"creatorName":"ウエハラ, ヤスオ","creatorNameLang":"ja-Kana"},{"creatorName":"UEHARA, Yasuo","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-21"}],"displaytype":"detail","filename":"KJ00004916663.pdf","filesize":[{"value":"1.7 MB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"KJ00004916663.pdf","url":"https://shobi-u.repo.nii.ac.jp/record/234/files/KJ00004916663.pdf"},"version_id":"8520c8fa-da0a-43cb-8a5d-c2ef433b9464"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"デジタルハイビジョン","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"モンゴル","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"鎌倉","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"北条時宗","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Digital hi-vision","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Mongol","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"kamakura","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Hojo Tokimune","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ハイビジョンドラマ制作の考察 : 大河ドラマ「北条時宗」での事例研究 (情報表現学科特集号)","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ハイビジョンドラマ制作の考察 : 大河ドラマ「北条時宗」での事例研究 (情報表現学科特集号)","subitem_title_language":"ja"},{"subitem_title":"A Study on the Production of High Definition TV drama : Based on a case study of drama-roman \"Hojo Tokimune\"","subitem_title_language":"en"}]},"item_type_id":"3","owner":"3","path":["41"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-21"},"publish_date":"2017-04-21","publish_status":"0","recid":"234","relation_version_is_last":true,"title":["ハイビジョンドラマ制作の考察 : 大河ドラマ「北条時宗」での事例研究 (情報表現学科特集号)"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-10-15T13:09:30.725760+00:00"}