@article{oai:shobi-u.repo.nii.ac.jp:00000229,
 author = {霧生, トシ子 and KIRYU, Toshiko},
 journal = {尚美学園大学芸術情報学部紀要, Bulletin of the Faculty of Informatics for Arts, Shobi University},
 month = {Sep},
 note = {チャーリー・パーカーをめぐって1940年代初頭には、ビバップの最盛期を迎えた。そこから多くのジャズの巨人達が生まれた。彼らがその後、いかなる状況のもとで、どのような方向へ展開していったか、彼らの発展の源となったものは何であったかを見てみよう。, It was towards the beginning of 1940s that Bebop was at its peak with many leading figures appearing, such as Charlie Parker as a uncleous. The following is a glimpse on their motives and subsequent activities under the surrounding conditions in those days., 3, KJ00004919434, 論文, Article},
 pages = {33--44},
 title = {チャーリー・パーカー再考 (音楽表現学科特集号)},
 volume = {4},
 year = {2004},
 yomi = {キリュウ, トシコ}
}