{"created":"2023-05-15T08:20:17.567877+00:00","id":228,"links":{},"metadata":{"_buckets":{"deposit":"55b652b3-4a44-4af5-a62b-5c9bc1b6f703"},"_deposit":{"created_by":3,"id":"228","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"228"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000228","sets":["10:1:40"]},"author_link":["380"],"control_number":"228","item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2004-09-30","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"31","bibliographicPageStart":"15","bibliographicVolumeNumber":"4","bibliographic_titles":[{"bibliographic_title":"尚美学園大学芸術情報学部紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of the Faculty of Informatics for Arts, Shobi University","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"本稿は、ビョーク・グズムンスドッティル(Bjork Gudmundsdottir)のアルバム「ヴェスパタイン」(Vespertine)で聞く非楽器音、たとえば氷の割れる音、雪上を踏む音等の、小さな音量の非楽器音を、ビョークがアルバムで使用する事を発見する動機と、プログラマーの助力について、の2点を中心にビョークの音楽創作姿勢の1つを提示している。さらに、ジョン・ケージ(John Cage)の非楽器音に対する姿勢にも触れている。現在、ヒーリング・ミュージックなどで非楽器音使用は常識となっているが、今後、ラップトップ等の活用と共に、ポピュラー音楽や現代音楽で、非楽器音をどのように扱うか--、音楽創作素材の1つとして、まだまだ無視出来ない分野である。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"By concentrating on two aspects of Bjork Gudmundsdottir's album Vespertine, I would like to put forward her concept towards the production of music. The first aspect is her gradual approach towards the discovery of very tiny non-instrumental sounds, such as, ice breaking or treading on snow included in her album. The second aspect is on how the production of her music required the help of programmers. In this paper, I also touch upon John Cage's concept towards non-instrumantal sounds in comparison to Bjork's. Currently, healing music is very common. While non-instrumantal sounds cannot be overlooked in the production of this music, from now on it will have to adapt to the increasing usage of laptop computers and the growing presence of popular and contemporary music.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"2","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00004919433","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Article","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_publisher_22":{"attribute_name":"出版社","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学芸術情報学部","subitem_publisher_language":"ja"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11624171","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13471023","subitem_source_identifier_type":"PISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学芸術情報学部音楽表現学科"}]},"item_3_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"ビョーク グズムンスドッティル ト ジョン ケージ : ヴェスパタイン ト 4'33\" オ キク オンガク ヒョウゲン ガッカ トクシュウゴウ","subitem_title_language":"ja-Kana"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"金子, 晋一","creatorNameLang":"ja"},{"creatorName":"カネコ, シンイチ","creatorNameLang":"ja-Kana"},{"creatorName":"KANEKO, Shin-ichi","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-21"}],"displaytype":"detail","filename":"KJ00004919433.pdf","filesize":[{"value":"133.1 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"KJ00004919433.pdf","url":"https://shobi-u.repo.nii.ac.jp/record/228/files/KJ00004919433.pdf"},"version_id":"8adc466c-b272-4c10-bcac-aa48943b9cf9"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"発見","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"非楽器音","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ラップトップ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ポピュラー音楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"現代音楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"discovery","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"non-instrumental sounds","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"laptop","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"popular","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"contemporary music","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ビョーク・グズムンスドッティルとジョン・ケージ : 《ヴェスパタイン》と《4'33\"》を聴く (音楽表現学科特集号)","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ビョーク・グズムンスドッティルとジョン・ケージ : 《ヴェスパタイン》と《4'33\"》を聴く (音楽表現学科特集号)","subitem_title_language":"ja"},{"subitem_title":"Bjork Gudmundsdottir & Jone Cage : A Review of \"Vespertine\" & \"4'33'\"","subitem_title_language":"en"}]},"item_type_id":"3","owner":"3","path":["40"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-21"},"publish_date":"2017-04-21","publish_status":"0","recid":"228","relation_version_is_last":true,"title":["ビョーク・グズムンスドッティルとジョン・ケージ : 《ヴェスパタイン》と《4'33\"》を聴く (音楽表現学科特集号)"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-10-15T13:08:48.225476+00:00"}