@article{oai:shobi-u.repo.nii.ac.jp:00000224,
 author = {霧生, トシ子 and KIRYU, Toshiko},
 journal = {尚美学園大学芸術情報学部紀要, Bulletin of the Faculty of Informatics for Arts, Shobi University},
 month = {Mar},
 note = {1930年-40年から発展した様式を持ち、インプロビゼーション(improvisation)を主体とした極めて高いレベルを持ったビ・バップはジャズを集約しているものと考える。ジャズの歴史の背景に沿って、その永遠性、現代性にていて社会的考察をしてみる。, Be Bop, in a style so far evolved as of 1930s and based on its own characteristically rhythmic and improvisational device, could be considered, for its comprehensiveness, to be a highly appreciative contribution to jazz music. The following is a brief historical and social survey on it in the light of its immortality as well as its contemporariness., 9, KJ00004916660, 論文, Article},
 pages = {129--144},
 title = {Jazzの集大成としてのBe Bop},
 volume = {3},
 year = {2004},
 yomi = {キリュウ, トシコ}
}