@article{oai:shobi-u.repo.nii.ac.jp:00000198,
 author = {田村, 和紀夫 and TAMURA, Wakio},
 journal = {尚美学園大学芸術情報学部紀要, Bulletin of the Faculty of Informatics for Arts, Shobi University},
 month = {Mar},
 note = {Brahms' symphonies are often discussed in comparison with Beethoven. However, his fourth symphony is sometimes said to be most original. For the first time in Brahms' symphonies, the first movement is written in repeatless sonata form and shows his new creative aspect. But, there are some precedents of the same form in the works of Beethoven. That is the first movement of Appassonato Sonata, which realized the idea to identify the exposition with the development section in the layout and length of material. Besides, in the first movement of F major Rasmofsky Quartet, Beethoven wrote the beginning of the development in same score with the beginning of the movement. Thus, repeat of the exposition effects without any repetition. Brahms obviously borrowed this idea for his fourth symphony,and in addition, developed further. Because, in order to avoid the increase of repetition which is caused from that idea, Brahms gave variation to the first theme in the beginning of the recaptulation. He understood the real meanings of the idea of those great predecessors, and did not only follow it, but also added his own originality. It may show one of the secret in the creation of Brahms., 11, KJ00002411906, 論文, Article},
 pages = {103--115},
 title = {ベートーヴェンの足音を背後に聞きながら : ブラームス第4交響曲の形式規範(音楽表現学科)},
 volume = {1},
 year = {2002},
 yomi = {タムラ, ワキオ}
}