{"created":"2023-05-15T08:20:12.243223+00:00","id":107,"links":{},"metadata":{"_buckets":{"deposit":"f03e4897-3526-4441-a4c2-51a11107a6c7"},"_deposit":{"created_by":3,"id":"107","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"107"},"status":"published"},"_oai":{"id":"oai:shobi-u.repo.nii.ac.jp:00000107","sets":["10:2:25"]},"author_link":["143"],"control_number":"107","item_3_biblio_info_12":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2009-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"93","bibliographicPageStart":"77","bibliographicVolumeNumber":"16/17","bibliographic_titles":[{"bibliographic_title":"尚美学園大学総合政策研究紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of policy and management, Shobi University","bibliographic_titleLang":"en"}]}]},"item_3_description_10":{"attribute_name":"抄録(日)","attribute_value_mlt":[{"subitem_description":"足の指を完全にのばしたまま、つま先立ちを行うポワント・テクニックは、19世紀前半にヨーロッパ各地で同時発生的に出現した、新しい、ダンス・アカデミックの技法である。バレエは、誕生から300年をかけて、重力からの肉体の開放を可能にした。ポワントという運動そのものが持つ、動きとしての垂直方向へのベクトルと、物語としての天上へのベクトルが一致することで、ロマン主義の文脈と見事に合致し、この時代のバレエのあり方、そして後のバレエの形をも決定する、バレエ史最大の発見となったのだった。このポワント・テクニックとロマン主義的幻想性が有機的に結びついた最初の作例が、1832年にパリで初演された『ラ・シルフィード』であり、ヒロインの空気の精を踊ったマリー・タリオーニは、重力を感じさせないポワント・ワークにより、手の届かない理想の象徴を舞台空間に出現させることに成功した。鑑賞者はその高度なテクニックによってのみタリオーニに熱狂したのではなく、作品中のポーズやパを通して、「中空を漂う空気の精」そのものを見ていたのだった。","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_11":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"Point technique appeared to occur simultaneously across Europe in the first half of the 19th century. It was new and innovative techniques of academic dance. Most important dancer was MarieTaglioni. She was the earliest and the most renowned of the Romantic dancers. She created the title role of the air sprite, `La Sylphide' in 1832. The ballet showcased her mastery of technique, especially her virtuosity of point works. She could appeared as a symbol of idea. In this master piece, ballet met the Romanticism for the first time.","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_description_15":{"attribute_name":"表示順","attribute_value_mlt":[{"subitem_description":"6","subitem_description_type":"Other"}]},"item_3_description_16":{"attribute_name":"アクセション番号","attribute_value_mlt":[{"subitem_description":"KJ00005552539","subitem_description_type":"Other"}]},"item_3_description_8":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_description":"研究ノート","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_3_description_9":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_description":"Research Note","subitem_description_language":"en","subitem_description_type":"Other"}]},"item_3_publisher_22":{"attribute_name":"出版社","attribute_value_mlt":[{"subitem_publisher":"尚美学園大学総合政策学部","subitem_publisher_language":"ja"}]},"item_3_source_id_1":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AA11546318","subitem_source_identifier_type":"NCID"}]},"item_3_source_id_19":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13463802","subitem_source_identifier_type":"ISSN"}]},"item_3_text_6":{"attribute_name":"著者所属(日)","attribute_value_mlt":[{"subitem_text_language":"ja","subitem_text_value":"尚美学園大学非常勤"}]},"item_3_text_7":{"attribute_name":"著者所属(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Shobi University"}]},"item_3_title_3":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_title":"ポワント テクニック ノ タンジョウ ト ロマンティック バレエ ニ カンスル オボエガキ : キョウジン ナ ツマサキ ガ ウミダス ハカナキ ゲンソウ セカイ ノ シュツゲン","subitem_title_language":"ja-Kana"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"metadata only access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_14cb"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"守山, 実花","creatorNameLang":"ja"},{"creatorName":"モリヤマ, ミカ","creatorNameLang":"ja-Kana"},{"creatorName":"MORIYAMA, Mika","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"バレエ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ロマン主義","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"ポワント・テクニック","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"タリオーニ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Ballet","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Romanticism","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Point technique","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Marie Taglioni","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"ポワントテクニックの誕生とロマンティック・バレエに関する覚書 : 強靱なつま先が生み出す儚き幻想世界の出現","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"ポワントテクニックの誕生とロマンティック・バレエに関する覚書 : 強靱なつま先が生み出す儚き幻想世界の出現","subitem_title_language":"ja"},{"subitem_title":"A note about the birth of point technique in relation to the romanticism","subitem_title_language":"en"}]},"item_type_id":"3","owner":"3","path":["25"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2017-04-21"},"publish_date":"2017-04-21","publish_status":"0","recid":"107","relation_version_is_last":true,"title":["ポワントテクニックの誕生とロマンティック・バレエに関する覚書 : 強靱なつま先が生み出す儚き幻想世界の出現"],"weko_creator_id":"3","weko_shared_id":-1},"updated":"2023-09-13T09:42:13.429004+00:00"}