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色彩イメージングと声のピッチ知覚における相関性について
https://shobi-u.repo.nii.ac.jp/records/792
https://shobi-u.repo.nii.ac.jp/records/792fb6ef333-be4b-4736-b27b-3b930ebcb6ea
名前 / ファイル | ライセンス | アクション |
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geijutsukiyou35_02SATO (496.7 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2023-04-17 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 色彩イメージングと声のピッチ知覚における相関性について | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Correlation between Color Imaging and Voice Pitch Perception | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 歌唱 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | クロスモーダル効果 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 色彩心理 | |||||
キーワード | ||||||
言語 | ja | |||||
主題Scheme | Other | |||||
主題 | 共感覚 | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12312312 | |||||
著者 |
佐藤, 明日香
× 佐藤, 明日香 |
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著者所属(日) | ||||||
ja | ||||||
尚美学園大学芸術情報学部非常勤 | ||||||
著者所属(英) | ||||||
en | ||||||
Shobi University | ||||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 研究ノート | |||||
言語 | ja | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Research Notes | |||||
言語 | en | |||||
抄録(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 歌詞の有無は、歌と楽器の演奏の大きな違いではあるが、演奏者がどのように楽曲と向き合い、解釈し、自分の表現に繋げるかなど、演奏者の経験や感情がとても大きく反映される点はどちらにも共通する点である。 しかしながら、その心のみでは演奏は成り立たず、作曲家の思いを込めた一音一音の意味を考え、楽曲の作られた時代背景やルーツなどを理解した上で、メロディーを構成する音程やリズム、ピッチなどを正確に演奏できる技術が表現の根底には必要になる。 そして、その技術を習得する際には、実際の声と、声を出すために必要なボディーイメージの一致は必要不可欠で、さらに指導者と生徒間における言葉の認識の共通化はとても重要である。 ここでは、音の高低を色の明暗に置換する色彩イメージングにより声のピッチ知覚を明確にし、自身の身体内部の状態把握や具体的な使い方に繋げることの有効性を紹介する。 |
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言語 | ja | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Although the presence or absence of lyrics is a major difference between singing and playing a musical instrument, both have in common that the performer's experience and emotions are very much reflected in how he or she faces the music, interprets it, and connects it to his or her own expression. However, the performance cannot be realized only with such feelings, and the underlying expression requires the skill to accurately play the pitches, rhythms, and pitches that make up the melody, after considering the meaning of each note with the composer's thoughts in mind and understanding the historical background and roots of the piece. In acquiring these skills, it is essential to match the actual voice with the body image required to produce the voice, and furthermore, it is very important for the instructor and students to share a common understanding of the language. Here, we introduce the effectiveness of color imaging, in which the pitch perception of the voice is clarified by replacing the highs and lows of sound with the lightness and darkness of color, leading to an understanding of the internal state of one's own body and its specific use. |
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言語 | en | |||||
書誌情報 |
ja : 尚美学園大学芸術情報研究 巻 35, p. 20-27, 発行日 2022-12-18 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 尚美学園大学芸術情報学部・大学院芸術情報研究科 | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 1882-5370 |