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奥山順市の仕事
https://shobi-u.repo.nii.ac.jp/records/672
https://shobi-u.repo.nii.ac.jp/records/672c61e27a8-23c6-4a06-9c74-5040976868b3
名前 / ファイル | ライセンス | アクション |
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geijutsukiyou30_02OTA (2.2 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2019-06-06 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | 奥山順市の仕事 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Okuyama Jun'ichi's Experimental cinema | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA12312312 | |||||
著者 |
太田, 曜
× 太田, 曜 |
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著者所属(日) | ||||||
ja | ||||||
尚美学園大学 情報表現学科 講師 | ||||||
著者所属(英) | ||||||
en | ||||||
Shobi University | ||||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 研究ノート | |||||
言語 | ja | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Research Notes | |||||
言語 | en | |||||
抄録(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 日本を代表する実験映画作家奥山順市の2017 年までのほぼ全作品100 作品を分析した。作品の外形的要素から幾つかの項目を立てて分類した。項目は撮影、録音・音声、現像、編集、映写といったリュミエール兄弟以来のフィルムで作られる映画の構造に関わるものだった。奥山順市自身が言っている“ 一貫して{映画の構造}と{フィルム}そのものの存在感をラディカルに表現した実験映画を制作” ということがこの分類による分析で明らかになった。さらに、奥山順市映画作品に共通する“ 身体性” や“ サービス精神” をいくつかの作品を詳しく検討することで顕在化させた。奥山順市はP. アダムス・シトニーが“ 構造映画” と名付けた実験映画の一分野に自身の作品を所属させようとしている。しかし、そうした定義を超えた世界でも例を見ないユニークな作品が奥山順市の映画である。 | |||||
言語 | ja | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | All 100 works of Jun'ichi OKUYAMA, one of the leading experimental filmmakers in Japan, were analyzed. Classification was made by selecting several items based on external elements of his works. Those items include shooting, recording, developing, editing, and projecting, which are all related to the structure of cinema created with film since Lumière brothers. The analysis with this classification made it clear Okuyama's own words that he had consistently created his experimental films radically expressing "the structure of cinema" and the presence of "film" itself. Furthermore,"physicality" and "spirit of service", which are commonly recognized in Okuyama's film works,were made apparent by studying a couple of his works in detail. Okuyama has been trying to make his works belonging in a branch of experimental film that is named as “Structural Films” by P.Adams Sitney. However, Okuyama’s works are far beyond such a definition and incomparably unique in the world. | |||||
言語 | en | |||||
書誌情報 |
ja : 尚美学園大学芸術情報研究 en : Journal of Informatics for Arts, Shobi University 巻 30, p. 17-41, 発行日 2019-03 |
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出版者 | ||||||
言語 | ja | |||||
出版者 | 尚美学園大学芸術情報学部・大学院芸術情報研究科 | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 1882-5370 | |||||
論文ID(NAID) | ||||||
識別子タイプ | NAID | |||||
関連識別子 | 40021878769 |