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ベートーヴェン楽曲の深層構造(音楽表現学科)
https://shobi-u.repo.nii.ac.jp/records/197
https://shobi-u.repo.nii.ac.jp/records/197e984b0d8-4e38-46f3-b1e5-c1eb651ea94c
名前 / ファイル | ライセンス | アクション |
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KJ00002411905.pdf (1.9 MB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-04-21 | |||||
タイトル | ||||||
言語 | ja | |||||
タイトル | ベートーヴェン楽曲の深層構造(音楽表現学科) | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Structure in Deeper Layer of Beethoven's Music (Department of Music Expression) | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
雑誌書誌ID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AA11624171 | |||||
論文名よみ | ||||||
言語 | ja-Kana | |||||
タイトル | ベートーヴェン ガッキョク ノ シンソウ コウゾウ オンガク ヒョウゲン ガッカ | |||||
著者 |
大村, 哲弥
× 大村, 哲弥 |
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著者所属(日) | ||||||
ja | ||||||
尚美学園大学芸術情報学部音楽表現学科 | ||||||
著者所属(英) | ||||||
en | ||||||
Shobi University | ||||||
記事種別(日) | ||||||
内容記述タイプ | Other | |||||
内容記述 | 論文 | |||||
言語 | ja | |||||
記事種別(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Article | |||||
言語 | en | |||||
抄録(英) | ||||||
内容記述タイプ | Other | |||||
内容記述 | Structure of deeper layer latently sustains external structure such as sonata form. My latest monograph, "Structure in Deeper Layer of Mozart's Music" published in BULLETIN OF SHOBI-GAKUEN JUNIOR COLLEGE N0. 15 (2000), testifies to the possibility of Mozart's intention to construct many musical pieces based on the formality in number of measure : the second movement generally has a resrular structure of four or eight measures, where each set of two measures is regarded as a subject ; the third movement continues using the motive, while it keeps a structure of four or eight measures from beginning to end ; in the first movenet to the contrary, the continuing use of four or eight measures decreases and irregular structures containing odd number measures come to control the whole ; and the presentation part by this irregular structure is marked by many compression structures on the formality in number of measure as seen in the dominant section after the second theme in "Piano Sonata F-dur Kv. 332." Beethoven's musical pieces are also as much characterized as Mozart's by the same kind of structure based on the formality in number of measure. The first half of this monograph treats the second and the third movements of periods by irregular structure whereas taking in periods of eight measures. Its second half discusses the structure of presentation and development of the first movements abounding in irregular structures. It especially focusses on the proper use of six or eight measures and the compression structure. To conclude : the structure in deeper layer which basically supports the forms such as rondo form, sonata form, and so on holds the key to the formation of music as time art. That is, this viewpoint shows us a new way to sound the composer's understanding about the importance of the structure which enables him to connect spectators to his works. | |||||
言語 | en | |||||
書誌情報 |
ja : 尚美学園大学芸術情報学部紀要 en : Bulletin of the Faculty of Informatics for Arts, Shobi University 巻 1, p. 69-101, 発行日 2002-03-31 |
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表示順 | ||||||
内容記述タイプ | Other | |||||
内容記述 | 10 | |||||
アクセション番号 | ||||||
内容記述タイプ | Other | |||||
内容記述 | KJ00002411905 | |||||
出版社 | ||||||
言語 | ja | |||||
出版者 | 尚美学園大学芸術情報学部 | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 13471023 |